Chandra Gopal Shroti's Tribute to SJ (13th Episode)
(Courtesy : Shri Gopal Shroti's blog http://gopalshroti.wordpress.com
(Courtesy : Shri Gopal Shroti's blog http://gopalshroti.wordpress.com
TRIBUTE TO SHANKAR JAIKISHAN–14•THE film world is a very strange one, where to establish an image, the hero or heroin has to take the support of some piller……Shankar Jaikishan were such piller, whoever came went inside them thru their songs to find out/establish his/her image. ….and THIs SINGLE CREDIT GOES ONLY TO S-J who made several actors/actresses as STARS, AND THEY WENT ON TO BE CALLED SILVER JUBILEE/GOLDEN JUBILEE STARS……..LET US SEE SOME EXAMPLES:-
NUTAN in NAGINA(tu ne hay mere zakhme jigar ko chhoo liya, door hun main teri dunia se, kyun chhua daman mera…..tu ne…), madhubala in BADAL (do din ke liye mehman yahan, maloom nahin manzil hai kahan), beena roy in KALI GHATA (halle bele aare….),david in BOOT POLISH(LAPAK JHAPAK TU AA RE BADARWA, SIR KI KHETI SOOKH RAHI HAI………PANGHAT SE BHAR LA SAKHI RI….LA….P..AK J…HHA.P..A.K). DILIP KUMAR IN DAAG (ai mere dil kahin aur chal), bharat bhushan in BASANT BAHAR..(SUR NA SAJE KYA GAUN MAIN, SUR KE BINA JEEVAN SOONA…..) AGAIN dilip kumar in YAHUDI (YE MERA DEEWANAPAN HAI, YA MUHABBAT KA SUROOR), balraj sahni in SEEMA (tu pyar ka sagar hay, teri ek boond ke pyase ham…..lauta jo diya tu ne, chale jayenge jahan se ham….tu..) , rajendra kumar in SASURAL (TERI PYARI PYARI SOORAT KO KISHI KI NAZAR NA LAGE…..CHASHME..BADDOOR….), SHAMMI KAPOOR IN JUNGLEE (YAAAAAHOOOOOOO-CHAHE KOI MUJHE JUNGLEE KAHE….) AND BEFORE THIS THE CHARLI CHAPLIN IMAGE OF RAJ IN ”AAWARA”(AAWARA HOON…).
It is not possible to complete their contribution in one or two essays. WITH A CURSORY LOOK IF WE GO THRU THE……..BARASAAT,AAWARA, BADAL, KALIGHATA, POONAM, MAYUR PANKH, DAAG, PATITA,SHIKAST, BADSHAH, BOOT POLISH,SEEMA SHRI 420, CHORI CHORI, NAI DILLI, PATRANI, BASANT BAHAR, RAJHATH,HALAKU,KATHPUTLI, BEGUNAH(BANNED), YEHOODI, SHARARAT, UJALA, KANHAIYA, CHHOTI BAHEN, MAIN NASHE MEIN HOON, DIL APNA AUR PREET PARAI, AASHIQ, ASLI NAQLI, DIL EK MANDIR, SANGAM, SAANJH AUR SAVERA, HARIYALI AUR RASTA, SANGAM, AARJU, AAMRAPALI,LOVE IN TOKYO, TEESRI KASAM, SURAJ ETC ETC, WE FEEL THAT THESE AND INNUMERABLE OTHERS WERE HITS BECAUSE OF S-J’ MUSIC……WHO WILL FORGET THE IMMORTAL SONGS OF THESE AND MANY OTHER FILMS…..e.g…….meri aakhon me bas gaya koi re (barsat), ai khushi ki hay raat, balam mere saath.., tu ne hay mere(nagina), ek bewafa se pyar kiya, aa jao tadpate hain armma, (aawara), hamse na poochho koi pyar kya hay, poochho bahar se(kali ghata), chanda ki chandni mein jhoomen jhoomen del mera (poonam), preet ye kaisi bol ri duniya(daag), ulfat ka saaj chhedo, sama(, suhana hay, jalwe bhi naach uthe, dil ka tarana hai. -AAURAT, TERA TEER O BE PEER DIL KE AAR PAAR HAY.–SHARARAT, AA JA KE INTAZAR ME, JAANE KO HAI BAHAAR BHI, TERE BAGAR ZINGI DARD BAN KE RAH GAI–HALAKU…..NAKHARE WALI, WO TO KOI AUR THI JO AAKHON SE SAMA GAI DIL MEIN–NAI DILLI, KABHI TO AA, O SAPNO MEIN AAKE CHALE JAANE WALE…..(PATRANI), YE WADA KARO CHHAND KE SAAMNE(RAJHATH), BOL RI KATHPUTLI, BAKAD BAM BAM BAM BAM BAAJY DAMROO(KATHPUTLI), MERI JAAN MERI JAAN PYAAR KISI SE HO HI GAYA HAY HAM KYA KAREN(YAHUDI)….THESE ARE SOME EXAMPLES OF THE THUNDERSTORM CAME WITH SHANKAR JAIKISHAN’S THUNDORUS ORCHESTRATION……THE SINGLE TWO MAN(DUO) HOLDING THE FILM WORLD IN THEIR FIST FOR TWO DECADES…….TO CONTINUE (gshroti@gmail.com)
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NUTAN in NAGINA(tu ne hay mere zakhme jigar ko chhoo liya, door hun main teri dunia se, kyun chhua daman mera…..tu ne…), madhubala in BADAL (do din ke liye mehman yahan, maloom nahin manzil hai kahan), beena roy in KALI GHATA (halle bele aare….),david in BOOT POLISH(LAPAK JHAPAK TU AA RE BADARWA, SIR KI KHETI SOOKH RAHI HAI………PANGHAT SE BHAR LA SAKHI RI….LA….P..AK J…HHA.P..A.K). DILIP KUMAR IN DAAG (ai mere dil kahin aur chal), bharat bhushan in BASANT BAHAR..(SUR NA SAJE KYA GAUN MAIN, SUR KE BINA JEEVAN SOONA…..) AGAIN dilip kumar in YAHUDI (YE MERA DEEWANAPAN HAI, YA MUHABBAT KA SUROOR), balraj sahni in SEEMA (tu pyar ka sagar hay, teri ek boond ke pyase ham…..lauta jo diya tu ne, chale jayenge jahan se ham….tu..) , rajendra kumar in SASURAL (TERI PYARI PYARI SOORAT KO KISHI KI NAZAR NA LAGE…..CHASHME..BADDOOR….), SHAMMI KAPOOR IN JUNGLEE (YAAAAAHOOOOOOO-CHAHE KOI MUJHE JUNGLEE KAHE….) AND BEFORE THIS THE CHARLI CHAPLIN IMAGE OF RAJ IN ”AAWARA”(AAWARA HOON…).
It is not possible to complete their contribution in one or two essays. WITH A CURSORY LOOK IF WE GO THRU THE……..BARASAAT,AAWARA, BADAL, KALIGHATA, POONAM, MAYUR PANKH, DAAG, PATITA,SHIKAST, BADSHAH, BOOT POLISH,SEEMA SHRI 420, CHORI CHORI, NAI DILLI, PATRANI, BASANT BAHAR, RAJHATH,HALAKU,KATHPUTLI, BEGUNAH(BANNED), YEHOODI, SHARARAT, UJALA, KANHAIYA, CHHOTI BAHEN, MAIN NASHE MEIN HOON, DIL APNA AUR PREET PARAI, AASHIQ, ASLI NAQLI, DIL EK MANDIR, SANGAM, SAANJH AUR SAVERA, HARIYALI AUR RASTA, SANGAM, AARJU, AAMRAPALI,LOVE IN TOKYO, TEESRI KASAM, SURAJ ETC ETC, WE FEEL THAT THESE AND INNUMERABLE OTHERS WERE HITS BECAUSE OF S-J’ MUSIC……WHO WILL FORGET THE IMMORTAL SONGS OF THESE AND MANY OTHER FILMS…..e.g…….meri aakhon me bas gaya koi re (barsat), ai khushi ki hay raat, balam mere saath.., tu ne hay mere(nagina), ek bewafa se pyar kiya, aa jao tadpate hain armma, (aawara), hamse na poochho koi pyar kya hay, poochho bahar se(kali ghata), chanda ki chandni mein jhoomen jhoomen del mera (poonam), preet ye kaisi bol ri duniya(daag), ulfat ka saaj chhedo, sama(, suhana hay, jalwe bhi naach uthe, dil ka tarana hai. -AAURAT, TERA TEER O BE PEER DIL KE AAR PAAR HAY.–SHARARAT, AA JA KE INTAZAR ME, JAANE KO HAI BAHAAR BHI, TERE BAGAR ZINGI DARD BAN KE RAH GAI–HALAKU…..NAKHARE WALI, WO TO KOI AUR THI JO AAKHON SE SAMA GAI DIL MEIN–NAI DILLI, KABHI TO AA, O SAPNO MEIN AAKE CHALE JAANE WALE…..(PATRANI), YE WADA KARO CHHAND KE SAAMNE(RAJHATH), BOL RI KATHPUTLI, BAKAD BAM BAM BAM BAM BAAJY DAMROO(KATHPUTLI), MERI JAAN MERI JAAN PYAAR KISI SE HO HI GAYA HAY HAM KYA KAREN(YAHUDI)….THESE ARE SOME EXAMPLES OF THE THUNDERSTORM CAME WITH SHANKAR JAIKISHAN’S THUNDORUS ORCHESTRATION……THE SINGLE TWO MAN(DUO) HOLDING THE FILM WORLD IN THEIR FIST FOR TWO DECADES…….TO CONTINUE (gshroti@gmail.com)
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